REFEREED
“Against Illustration,” Academic Quarter 28 (September 2024), 35-41.
“Rain: A Phenomenal Catalogue,” [in]Transition 10.1, May 2023.
“The Floating Coffins: Cataleptic Terror and Prismatic Vision in Watson & Webber’s The Fall of the House of Usher,” Mise-en-scéne: The Journal of Film and Visual Narration 7.2 (Winter 2022).
“Borrowed Dreams: Joseph Cornell and the Archive as Psychic Imprint,” Frames Cinema Journal 19 (Spring 2022).
“The Stairwell: memories and mirages of film noir,” [in]Transition 9.1, March 2022.
VIDEO ESSAYS FOR HOME VIDEO
“Angel of the Abject: The 2551 Trilogy as a Necropolis of Cinema,” The 2551 Trilogy (Norbert Pfaffenbichler), Deaf Crocodile, 2025.
“Blind Alleys: Slow Run and the Tropic of Manhattan,” Slow Run (Laurence Kardish), Black Zero, 2025.
“The Dissolving Carousel: Creative Surgeries in Demi-Monde,” Richard Kerr: Crisis Collision Resolve, Black Zero, 2025.
“Eat Up the Road: Upír z Feratu and the Legend of the Blood Car,” Ferat Vampire (Juraj Herz), Severin, 2025.
“Sirens On the Road: post-noir vision and beatnik glory in The Pick-Up,” The Pick-Up (Lee Frost), Severin, 2025.
“Downcast Eyes: Dada and Metamorphosis in The Cathedral of New Emotions,” The Cathedral of New Emotions (Helmut Herbst), Deaf Crocodile, 2025.
“Notes from Home: Getting Personal in Rick Hancox’s Home for Christmas,” Home for Christmas (Rick Hancox), Black Zero, 2024.
“Truth Crimes: Taking Liberties with the Kari Swenson Story,” Abducted (Boon Collins), Canadian International Pictures, 2024.
“A Harrowing of Image: The Infernal Compilation of Crack, Brutal Grief,” Crack, Brutal Grief (R. Bruce Elder), Black Zero, 2024.
“From Glass into Flesh: Transformation and Touch in Surprised by Joy,” A Man Whose Life Was Full of Woe has been Surprised by Joy (R. Bruce Elder), Black Zero, 2023.
With Kier-La Janisse. “The Vampire Cat,” Bakeneko: A Vengeful Spirit (Yoshihiro Ishikawa), Severin, 2024.
With Peter Bebergal. “In the Shadow of the Dybbuk,” Demon (Marcin Wrona), Severin, 2024.
With Kier-La Janisse. “A Tribute to Karin Schubert - The ‘Nackedei’ Actress,” Emmanuelle Around the World (Joe D’Amato), Severin, 2023.
“Josie’s Archive,” Josephine Massarella: Green Dreams, Black Zero, 2023.
“Strange Codes: A Breakdown,” Strange Codes (Arthur Lipsett), Black Zero, 2023.
“Readings from the Instruction Box: Arthur Lipsett on the Secret Museum,” Strange Codes (Arthur Lipsett), Black Zero, 2023.
“The Columbus of Sex: A Speculative Reconstruction,” Palace of Pleasure (John Hofsess), Black Zero, 2023.
With Kier-La Janisse. “Terminal City Blues,” Out of the Blue (Dennis Hopper), Severin, 2022.
NON-REFEREED SERIES
“The Invasion Will Be Televised: Countdown Canada as Anticipatory Docudrama,” Northern Light, July 1, 2025.
“The Birth of New Wisdom: Christmas on Earth, An Impossible Reconstruction,” Art & Trash, December 24, 2024.
“Prophets and Propaganda, or, If Faces Tire You, What Will Movies Do?,” Art & Trash, December 6, 2024.
“Pools of Darkness: Lady in the Lake and the Eyes of Philip Marlowe,” Detours, November 29, 2024.
“Trouble with People: The Mystery of Jennifer,” Detours, November 22, 2024.
“The Smirking Revenant: Bury Me Dead as Screwball Comedy,” Detours, November 15, 2024.
“The Difference: Fate and the Gun in The Hitch-Hiker,” Detours, November 8, 2024.
“Dementia: Myth and Nocturne,” Detours, November 1, 2024.
“Paperback: Prisoners of the Printed Page in The Timekeepers of Eternity,” Art & Trash, October 30, 2024.
“The Right Place: Martyrs and Monsters in Suffer Little Children,” Art & Trash, October 18, 2024.
“Return to Me: Fantasy and Docudrama in Chained for Life,” Art & Trash, October 4, 2024.
“Begging to be Born: Dreaming Together in Storm De Hirsch’s The Tattooed Man,” Art & Trash, September 20, 2024.
“The Bonanza Citadel: Ghosts of the Comstock in The Godmonster of Indian Flats,” Art & Trash, September 6, 2024.
“Neverlands: David Brooks and the New American Cinema,” Art & Trash, August 23, 2024.
“Wizards: Labour, Magic, and The Wizard of Speed and Time,” Art & Trash, August 2, 2024.
“Rambler: Spoofing the Avant-Garde in Jane Conger Belson’s Odds & Ends,” Art & Trash, July 19, 2024.
“Second Deaths: Metaphors for Tolerance in Mindwarp,” Art & Trash, July 5, 2024.
“Screams from the Sky: Taking the Scenic Route with The Psychotronic Man,” Art & Trash, June 21, 2024.
“Revelations by Sunlight: Translation, Monument and Metaphor in The Sun Quartet,” Art & Trash, June 7, 2024.
“Plastic Masks: Possibly in Michigan as Urban Legend,” Art & Trash, May 17, 2024.
“The Eyes of Hell: Depth and Despair in The Mask,” Art & Trash, May 3, 2024.
“Sympathy for the Devil: Walking a Mile with MurderLust,” Art & Trash, April 19, 2024.
“Old Time Continuity: Illusion, Futility, and The Way Things Go,” Art & Trash, April 5, 2024.
“Passions in the Labyrinth: The Decline of Classical Allegory in Johnny Minotaur,” Art & Trash, March 15, 2024.
“Beautiful Dreamers: Lost and Found in the Forbidden Zone,” Art & Trash, March 1, 2024.
“Discreet Charms: The Last Slumber Party and the Order of Dreams,” Art & Trash, February 16, 2024.
“Let It Run: Machinery in the Mirror in Milton Moses Ginsberg’s Coming Apart,” Art & Trash, February 2, 2024.
“Fragile Systems: The Media Hybrids of Christine Lucy Latimer,” Art & Trash, January 19, 2024.
“Florida Man: An Ecology of Despair in Mako, The Jaws of Death,” Art & Trash, January 5, 2024.
“Changing Seasons: The Canadian Pastoral in Keith Lock’s Everything Everywhere Again Alive,” Art & Trash, December 8, 2022.
“Hanging Portraits: Obsession and Resurrection in Laura,” Detours, November 24, 2022.
“Enchantment: The Fantastic Films of Michael Krueger,” Art & Trash, November 24, 2022.
“Christina Battle: Acts of Resistance,” Art & Trash, November 17, 2022.
“Signals in the Dark: Shadows and Silence in The Thief,” Detours, November 14, 2022.
“Simultaneous Tensions: The Duo-Vision of Wicked, Wicked,” Art & Trash, November 10, 2022.
“The Children’s Court: Disillusionment and Prejudice in Talk About a Stranger,” Detours, November 7, 2022.
“Escalators to Eternity: The Choir Made Visible in Standish Lawder’s Necropolis,” Art & Trash, November 3, 2022.
“This is Not an Exit: Participation and Parable in Beyond the 7th Door,” Art & Trash, October 27, 2022.
“Closing Distance: The Cosmic View, the Terrestrial Horizon, and Jean-Claude Labrecque’s Essai à la mille,” Art & Trash, October 14, 2022.
“The Storyteller: The Artist’s Reflection in The Evil Within,” Art & Trash, June 16, 2022.
“A Day in New York: Futurist Vision and Francis Thompson’s N.Y., N.Y.,” Art & Trash, June 2, 2022.
“The Wrestler’s Cruel Study: Theatre and Honour in Pushed Too Far,” Art & Trash, May 19, 2022.
“Richard Kerr: Field Trips,” Art & Trash, May 4, 2022.
“Fear in the Mirror: In Search of a Clean Conscience in Fear in the Night and Nightmare,” Detours, October 31, 2021.
“Meeting Evil: The Crowd and the Conductor in Try and Get Me,” Detours, October 18, 2021.
“Twice as Hot: Duplicity and the Second Person in The Bribe,“ Detours, October 11, 2021.
“The Long Road: The Shape of Perspective in Where Danger Lives,” Detours, October 4, 2021.
“Missing Pieces: The Vision of a Killer in The Spiral Staircase,” Detours, September 27, 2021.
“Giving Up on God: Edge of Doom and the Burden of Faith,” Detours, September 20, 2021.
“The Broken Ship: The Whispering Village in Cause for Alarm,” Detours, September 13, 2021.
“The Looking Cure: John Hofsess’s The Palace of Pleasure,” Art & Trash, May 9, 2021.
“Dialing Wonderland: Nelson Lyon’s The Telephone Book,” Art & Trash, April 22, 2021.
“Scales of Being: Ed Emshwiller’s Relativity,” Art & Trash, April 15, 2021.
“Louise Bourque: Scene of the Crime,” Art & Trash, April 8, 2021.
“Drunk on Poetry: Michael & Roberta Findlay’s Take Me Naked,” Art & Trash, March 25, 2021.
“Willie Varela: The World in the Window,” Art & Trash, March 18, 2021.
“Phantoms in the Family: Chester Novell Turner’s Tales from the QuadeaD Zone,” Art & Trash, March 11, 2021.
“Everything Shines in the Darkness: Sheldon & Diane Rochlin’s Vali, the Witch of Positano,” Art & Trash, March 4, 2021.
“Final Destinations: The Case of Night Train to Terror,” Art & Trash, February 25, 2021.
“Heavenly Pavilions: Ira Cohen’s The Invasion of Thunderbolt Pagoda,” Art & Trash, February 18, 2021.
“The Absolute Policeman: Wes Olsen’s The Dark Side of Midnight,” Art & Trash, February 11, 2021.
“Josephine Massarella: One Woman Walking,” Art & Trash, February 11, 2021.